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Charles Schreyvogel’s Unique Depictions Of The Vanishing West
Charles Schreyvogel was born in New York City in 1861 the son of migrant Germans. His parents were shopkeepers in New York’s lower east side. From his early days in public school he surprised his teachers by his beautiful sketches. This was just the indication of his burning desire to become an artist. However his father was not at all in favour of this. Schreyvogel was unable to afford art classes and he taught himself to draw. His early life of struggle with poverty and ill-health made him want to excel. In 1877 he spent some time at lithography but it provided him with very little income. He moved to New Jersey to be part of the Newark Art League. There he met artist August Schwabe, who convinced him to study at the Newark Art Students League. Charles Schreyvogel was especially interested in military life. His western scenes were usually subjects with landscapes as the backdrop, and the Indians he depicted were people of dignity and pride. His favourite theme was warfare between the intruding whites and the Indians defending their ancestral homelands. He became one of the most popular artists to depict the American ...
... West in paint and bronze. His first national recognition came when he won the first prize in the 1900 National Academy Exhibition for his entry, My Bunkie. Many of his works were reproduced as lithographs, gravures and prints. The Duel is one of his works which was reproduced.
In 1901, he was awarded the Thomas Clarke Prize at the annual exhibition of the National Academy of Design. Schreyvogel’s works are included in the collections of the National Cowboy & Western Heritage Museum, Oklahoma City, Oklahoma and the Gilcrease Museum ,Tulsa, Oklahoma. Schreyvogel made frequent trips to the West and returned with field sketches which he completed in his studio or on the rooftop of his studio in Western Hoboken. He even used clay to model figures before painting them so he would have a likeness to copy. These completed works were some of the most popular renditions of American cavalry officers and their Indian adversaries. His expertise and talent have firmly established his place in history. His works are scarce and much sought after. Due to his short life span there is a record of less than hundred of his paintings.
His paintings are held sparingly by major museums and collections worldwide. Schreyvogel spent the rest of his life in Hoboken and died in 1912. He is buried in Flower Hill Cemetery, North Bergen, New Jersey.
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