The Enigma Of Classic Movies

By Author: John Krawczyk
Total Articles: 28
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The word “classic” sounds simple, yet it is beguiling. It is broad enough to accommodate certain prejudices when it comes to defining movies. There are a few phrases we often associate with this terminology.Thosewho watch classic moviesuse it to indicatefamous, long-standing movies while others refer to movies exemplifying extraordinary qualities as classic. Setting apart the common, time-honoured predispositions, classic movies have barely anything to do with any particular time-frame. Instead, eminent film critics are of the opinion that classic movies are those that employ some enthralling storytelling techniques that derive a lot of its connotation from the audience’s own imagination. As a result, a group of people who watch classic movies together derive different significance from it depending on their age, mind-set and experience in life, hence the word “classic”.

While the definitions of classic movies are many and varied, there are some commonly agreeable features that one can associate with this particular genre.
Firstly, these movies are re-watchable. People who watch classic movies generally ...
... want to re-visit them time and again in order to experience an altogether new familiarity and understanding, one reason why these movies are so archetypal. Secondly, these movies are characterised by memorable performances. Classic movies retain a captivating enigma especially when it comes to emotional response from the audiences. Movies like ‘Gone with the Wind’ and ‘Casablanca’ serve as befitting example.
“Classic”, it terms of movies, can also be used to indicate old big screens which prevailed during the 1950’s and 1970’s. Movies produced during the “silent era” (1890-1929) can also be taken into consideration. According to most film historians “Classic Films describe a span of time beginning in the early 1930's through the late 1950's.” This period is also known as the “Golden Age of Hollywood”. If one is to abide by this notion one can entitle any movie produced during this time span as “classic”. But if facts are to be looked at, some of these movies won Oscars, while the others were indeed sub-standard and sloppy.
According to other predilections, classic movies are “any films made during the Hollywood studio system era.” The time period taken into consideration by theseconceptsstretches from 1950 to that of 1970 (approximately).

The definitions of classic movies remain ambiguous and subjective to this day. Yet, according to common norms they are mesmeric films that can be watched time and again, at different levels, in different time and age to derive a completely new significance and understanding each time. These movies live on, not for potent graphic action scenes or flashy editing, but for simulating characterization and compelling storyline, not to mention the snappy dialogue and high production values. Hence they exhibit striking dissimilarities from the blockbusters of this day and age in all considerable aspects. Movies like Pride and Prejudice, an adaption of Jane Austen’s novel, The Tale of Two Cities (based on Dickens’ novel), and The Adventures of Robin Hood make a value contribution to the list of such movies.

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