Jewellery In Bronze Age-00-6458

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Dynastie Egyptian jewelry is characterized by a colourful polychrome effect with its underlying symbolism. The broad collar, wesekh, was one of the most typical forms and incorporated bands of cylindrical beads arranged by size and colour between two semicircular or falcons' head ter¬minals. The scarab beetle was a common motif for Pharaonic jewelry; others included the lotus flower and the eye of the sun god Horus

Greece: Bronze Age through Classical period The Minoans (3650-1100 BCE) flourished on the Greek island of Crete, and excelled in metal-work and jewelry. They successfully mastered the techniques of filigree, granulation and repoussé. They were aJso skilled gemstone engravers using materials such as agate, jasper, hematite, chalced-ony and rock crystal. The Mycenaeans invaded and conquered the Minoans and continued many of the existing jewelry traditions, as well as producing complex seals for use in rings and perfecting the use of colourful inlay and simple enamels, and the production of fine chain. Greek craftsman were restricted during the Archaic and Classical periods (600-300 BCE) by their limited ...
... supply of gold. The Hellenistic period (330-27 BCE) was rich in gold, it being both mined in Thrace and acquired as booty from Persia by Alexander the Great. The empire expanded over most of Egypt and Western Asia, and this resulted in an increased supply of gem-stones and a broadening of
[fashion jewelry] techniques and design influences. The introduction of the polychrome effect — the use of multiple colours

in a. single object — greatly transformed the appearance of Greek Jewelry. Gut stone panels, glass and enamel featured. The cameo was also introduced - a popular motif was the Hercules or reef knot. A serpent wrapped around the arm or finger was a popular design for bracelets and rings, animal-head finials characterized hoop ear-rings, chains and necklaces.
Etruscan
Early Etruscan
[fashion jewelry] (seventh—fifth century BCE) is characterized by abundance, technical proficiency and variety. The most distinctive feature of their jewelry is their use of granulation. Late Etruscan jewelry (400—250 BCE) is marked by a shift away from surface decoration as large convex sheets of gold were preferred. Jewelry after this period feil into the Hellenistic style, influenced by the Greek cities of southern Italy.
Roman
While early Roman jewelry was informed by the Hellenistic influence, it eventually developed its own style. Roman
[fashion jewelry] came to be character¬ized by coloured gemstones and simple, heavy settings. Early Roman jewelry is relatively rare, probably due to the continued use of gold to fund military campaigns. Significant quantities of the metal were not available for alternative uses until the Imperia! period (27 BCE onwards). Intaglios and cameos continued to feature, as did the serpent form. Egyptian emeralds, garnets and
sapphires from India were popular and amber from the Baltic was highly prized, as well as rough diamond crystals in rings. The Romans developed fine-chiselled openwork, opus inter-rosile and the use of niello in anticipation of the Byzantine style to follow.

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