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Advice For Wedding Videographers
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You need to discuss your intended strategy to the ceremony together with the celebrant. Will he object to you being in close? Shooting from 1 to 3 metres from the couple during the vows gives much more intimacy for the moment - most from the ceremony isn't a tripod situation for the close-in camera. A camera on a tripod recording a general high view Lace Wedding Dresses (balcony) is good to have for cutting. Get a great continuous audio by any means available (besides the camera audio).
Keep in mind "no zooming" but you'll have to zoom (slowly) because shots must be composed and nothing waits. Steady handheld is essential and move around where possible to get a superior viewpoint. Doing this will put you in most from the stills being taken during the ceremony, but only the stills photographer will care and anyway you're a relative. Incidentally, the stills person will have much in the running just before and after the ceremony and you shoot around her/his activities.
After church capture lots of interactions between people -- parents being congratulated, pals chatting (most with the audio right here will be marred by noise and probably wind, so will have to be substituted e.g. music and general crowd chatter). Try to remember that you can include stills.
Most with the perform will be done during post and Vegas has a lot of power for making things better. Check out the wedding clips posted from time to time on this site, but use them as a lesson more than a guide. Don't rush post. You might give them a rough cut after their honeymoon and a final cut when you happen to be satisfied (try to remember Informal/Casual Wedding Dresses Michelangelo: POPE: "Again, when will it be finished?" M: "When it truly is done!").
This job isn't being paid and a great job is the aim. DSE (Douglas Spotted Eagle) tells that in his part of the USA people expect a cut of the wedding for showing at the reception, which I reckon is ridiculous -- whoever let that standard get established? Make sure you can cutaway to parents at important points (they don't have to be taken at those points, but they have to be "in character" scene context).
A wedding is often a fun time, a romantic time, a family and pals time. Do the best you can. A superior wedding film requires the operator to be very comfortable with all the gear, be prepared, be quick thinking, have a clear program for guidance, be able to improvise, and build a mental preliminary cut as shooting progresses. If anyone tells you it's easy and just for old fogies, they don't know how to do it.
Oh yes, if you've respect for your clients then they will have respect for you and assistance you to get the job done. You can accept or ignore inputs as appropriate. And when they're not paying, they'll be really happy with any reasonable result.
At the reception, I just go together with the on-camera mic, except for interviews. For those, I use a handheld wireless. Other places for a wireless mic at the reception is on the best man, for the toast; on the mike stand at the head table; or piggy-backed on the DJ's microphone.
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