What Constitutes Post-mao Literary Women's Rhetoric?

By Author: Solo Chen
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The rhetoric of Post-Mao female writers is about developing a literature of women and for women: a literature that empowers women, including women with or without choices, working women, impoverished women, married or unmarried women, and old or young women. This literature purports to educate men and emancipate women from traditional ideology, and to develop China into a society respectful of women's human rights and free of gender discrimination. In her correspondence, Han Xiaohui writes that women writers must bear the responsibility for Replica Omega women's liberation by thinking about gender equality and emphasizing it in their writing.

She believes, "Women's literature must tell the truth about women's material lives."" Fang Fang says, "Although I am not a feminist, I am definitely a 'super-womanist.'! Believe in women's wisdom, and I write about women living at the bottom of society". Zhang Kangkang makes it clear that her novel Woman on the Edge questions women's positions defined by the centuries-long history and traditional culture. ...
... As a character, Zhuo'er's desire is not to collect material gains or change her fate as a woman, but to live a life true to herself, to enhance her spirit, and to fulfill her dreams". Post-Mao women write to prevent women's essential spirit and sense of liberation from being trampled. Explaining her novel Women Workers (2004), Bi Shumin says, "I was criticized for losing my sight in writing Women Workers. In such a fast-paced modern society, women workers have faded out of sight and live in the shadow. As a writer, I am bound to write about their resilience, courage, and optimism. I write to show my respect." Hu Xin wants women to know their importance as half of Omega Seamaster Replica Watches humankind. She writes, "In reality, it is women, not men, who are protectors and guardians of the human race. Almost all heroes in literature do not rise above their misfortunes unless women render their love altruistically".

Post-Mao women write to win women's human rights. Expressing her concerns about gender inequality, Hu Xin's essays emphasize basic human values and celebrate female-male differences, in contrast to the tradition of using differences to oppress. Her concept of human equality speaks to a notion of feminism that asks women not to blame men, and men not to blame their female counterparts, but to acknowledge how difference is historically used as a weapon again women. Transcending male-female dualism in her prose on gender, Zhang Kangkang recognizes that both men and women were deprived of human rights under Mao. Proposing a gender-neutral feminism that asks for more than women's liberation, she envisions an ideal society where women and men live as equal human beings, harmoniously and with mutual respect, and play reciprocal not separate roles.