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"downsizing", "normandy Nude" ... The Movies To See (or Not) This Week
Total Articles: 6
Those who hope for an imaginative and iconoclastic fiction to the Spike Jonze, the director of "Her" and "In the skin of John Malkovich", will be disappointed after the first half-hour. Payne does not eat that bread. And the director reveals the hidden side of this falsely Utopian Lilliput where the inequalities of contemporary America are reproduced and the poor penned up in a tower of Babel, beyond a wall that makes them invisible to the rest of society. Shared between the influence of a reindeer, new rich (Christoph Waltz), who succeeded thanks to an import-export traffic with the normal world and his attraction to a Vietnamese foot-cleaning woman (Hong Chau), Safranek, left to himself, must make the choice of uninhibited capitalism or solidarity humanism.
Matt Damon does the job, adding a title to his exemplary Democrat filmography. Alexander Payne voluntarily turns his back on the broad film potential of his subject to focus on his human and political issues.
"Alone on the beach at night" by Hong Sang-Soo. Korean drama
Third film of the Korean filmmaker pending, in the spring, the release of "Camera Claire". And no disintegration of his inspiration. Taken in the turmoil of a scandal, a young actress returns to her country after having exiled herself in Amsterdam.
There is something exquisite in the delicacy with which the author of the "Day after" returns to an eminently personal story. The scenario and the camera outline, with subtle digressions and a sweet melancholy, the portrait of a woman in search of the meaning she can give back to her existence. A heroine Kim Min-hee perfectly embodies the fragility and pugnacity and won a prize for interpretation in Berlin.
Let the devil take us" by Jean-Claude Brisseau.
A fiction that is constantly threatened by voyeurism and ridicule but never gives way. An erotic and sentimental education that, from the chaos of bodies and emotions, builds a spiral of emotional dependence to achieve a beautiful serenity.
Free Movie Downloads Online that start on a wedding sequence, it's usually a good sign. That of "If you saw her heart" is so successful, by its naturalness, by the dramatic impulse with which it plunges us into the gypsy community, that we think to hold in Joan Chemla the spiritual daughter of James Gray.
Soon, these beautiful promises are dissipated between the walls decatis and among the fauna of a shabby hotel. Where Daniel (Gael García Bernal) fails a pariah in his family since the groom (Nahuel Pérez Biscayart), his childhood friend, his "brother", led by him in a bad move, died accidentally. Exit the feeling of veracity, the attraction of the romantic, place to hollow authorism, to a forced blackness of Jacques Audiard on the small foot. It is all the more regrettable that, for a first test, the film has mouth. Gael García Bernal, taciturn, thinks himself for Alain Delon in "Samurai".
"Belinda" by Marie Dumora. French documentary.
Marie Dumora, the director, filmed Belinda at three moments in her life: at 9, at 16, at 23. Long-term film project, which gives a moving portrait of a destiny. Children's home, father in prison, baptism of a nephew, fiancé incarcerated, and the life that continues, torn, rough, in public housing, welfare offices, noisy houses: misery is not far , the future is uncertain, but Belinda, generous and resourceful, is an unforgettable character. Marie Dumora was able to capture, with warmth, the soul of a mischievous Gavroche.
A theatrical adventure, 30 years of decentralization" by Daniel Cling. Documentary with Philippe Mercier, Françoise Bertin. (1:40).
The TNP, the Grenier de Toulouse, the Comédie de Saint-Etienne: all essential references of decentralized theater. For the 70 years of this artistic odyssey which, at the end of the war, reinvented a petulant theater of research and traveling, the filmmaker meets the actors of this part of our culture.
"Las Marimbas del Infierno" by Julio Hernandez Cordon.
A UFO, literally. We follow the troubles and confidences of Don Alfonso, courier day and marimba musician (a sort of xylophone) at night, in Guatemala City. Victim of an attempted extortion, he had to change his neighborhood, life, and music. He teamed up with Blacko, a doctor who chose to pursue a career in heavy metal. It is the marriage of carp and rabbit.
In the midst of political changes, endemic unemployment, religious conservatism, our dissident musicos are having a great time. They are filmed with an undeniable affection, with the tear, by Julio Hernández Cordón, young director installed in Mexico. For adventurous spectators.
Towards the light" by Naomi Kawase. Japanese drama
It's a film that gives the impression of lacking self-confidence. Tense between a true delicacy of writing and a heavy insistence to point out it.
There was, however, a wonderful starting point, ideally for the author of the "Tokyo Delights" or "Suzaku". Misako (Ayame Misaki) is an audiodescriptist for the cinema, always in search of this right word which will transmit to the blind spectators the emotion of the image. During a work session, she crosses the road of a photographer (Masatoshi Nagase) who gradually loses sight. The symbolic and sensual light in which the film bathes is one of the qualities of the staging.
Less convincing, the musical syrup of Ibrahim Maalouf, which stifles the most important idea of this story: the intuitive relationship to the world of the blind by means of noise, its relief and its variations. By breaking the identification of the viewer to the hero, Kawase switches into the agreed romance. Pity.
Normandy nude" , by Philippe Le Guay. French comedy
Struck by the crisis, the breeders are not only on the straw, they must also be naked. Or rather, they must be naked so as not to be on the straw. This is at least what advocates Georges Balbuzard (François Cluzet, freewheeling), the mayor of the village of Mêle-sur-Sarthe. To make known to the world the fight of his farmers, he accepts the proposal of the artist Blake Newman (Toby Jones) to photograph, in a field of the town and in their simplest device, all its citizens. A character whose model is the New Yorker Spencer Tunick, great specialist crowds of naked people gathered in several capitals.
The director of "Women of the 6 th floor" and "Cycling with Moliere" stood a pretty good idea. But he botched it. Suddenly, Le Guay is sad. His comedy weighs like a bundle of straw under the drizzle, his vision of the peasant world is caricatural and social satire, inoperative, make us regret the sharpened militant of "Three Eight". At the end, François-Xavier Demaison, Parisian bogo in love with the countryside, but allergic to green, is covered with pimples.
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